Las novedades de Plot, Canvas y la plataforma Inkwell: cada versión agrupada por producto, con lo que cambia en tu jornada de escritura explicado con claridad. Para ensayos sobre el oficio, visita el blog.
Las notas de versión y los avisos de incidencias se publican en inglés, tal como se escriben el día en que salen.
Compare an original Final Draft file with its converted Fountain, plain text, and formatted pages before using your own draft.
Open the worked example on the screenplay converter to read the original FDX, converted Fountain, and plain-text output.
Download Original FDX, Converted Fountain, or Converted plain text to inspect the files yourself.
See the formatted pages, compare scene numbers and overlapping dialogue, and check which production details stay in the original FDX.
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Link to a section in blog and help articles
Jump to an explanation in a blog or help article, then share a link to that section.
Open In this article and choose a heading to jump to its explanation.
Open the link beside a section heading and share its address to send someone straight to that section.
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Reuse your directions and keep writing with Enter
As you type a parenthetical, Plot suggests directions you have already written in the script, and one Enter now completes any suggestion and starts the next line.
Choose a matching direction with ↑ and ↓, then press → or tap it on a touch screen to fill it and stay on the line.
Directions you use most appear first, with recent occurrences breaking ties. Your casing, names, and parentheses stay as written.
Press Enter on any suggestion to fill it and start the next line: dialogue after a cue, cue extension, or parenthetical; action after a scene heading or transition. Undo reverses both together.
When two characters trade lines, a new character cue suggests who replies. Press Enter to accept it and start their dialogue, or type another name.
Press Enter on a bold or italic all-caps name to make it a character cue and start plain dialogue beneath it.
Turn Writing suggestions on or off under Settings → Editor → Script intelligence.
Choose German, Spanish, French, Japanese, or Korean for templates, writing guides, character profiles, table-read and rehearsal tools, Fountain checks, and outline exports.
Download a screenplay starter or worksheet in the language you chose on its template page.
Follow step-by-step guides for importing a script, making save points, and exporting a PDF in your language.
Validate Fountain text or extract a screenplay outline with translated controls and results.
Develop a character with native prompts and examples, then copy or download your profile as Markdown. Choose Keep this profile to continue this tab after a draft conflict.
Plan a table read and build rehearsal sides with translated samples, run sheets, and cue practice. Japanese drafts are now timed by their actual words.
Compare writing tools in Alternatives, follow workflows in Learn, and find support through Contact in the same language.
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Work on a passage with your browser's agent
A browser agent that supports native WebMCP tools can read the open document, select a passage, and replace selected text in the Inkwell editor.
Open the document and ask a compatible browser agent to work with the passage you choose.
Selections appear in the editor, and text replacements use the editor's normal undo.
Use the browser's agent controls to choose and run its tools.
Build a character profile around goals, relationships, and a defining choice, then copy or download your worksheet as Markdown.
Start blank or explore a worked example to connect a character's beliefs and behavior to the pressure they face.
Trace an opening action through a defining choice, its consequences, and the next scene to write.
Fill the prompts in the free character profile builder, or download the blank worksheet and example together as a Markdown template.
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Choose your page style and writing focus
Choose an eye-friendly or traditional screenplay page, dim around your sentence, paragraph, or scene, and keep the line you're writing at a comfortable height.
Choose Eye-friendly or Traditional under Page style, or adjust element colors, page tone, and heading and cue emphasis yourself.
Use Dim around the caret to focus on a sentence, paragraph, or scene.
Set Typewriter scroll to Top, Middle, or Bottom, and highlight the current line under Settings → Editor.
Reuse a familiar location and time with one scene-heading suggestion, and choose whether writing suggestions and remembered headings appear in Settings → Editor → Script intelligence.
When Claude serves your fast AI tier, the picker now names Haiku 5.5. Check the current tier comparison before choosing a deeper pass.
The fast Claude tier and Haiku selection now resolve to Claude Haiku 5.5.
The picker names the model serving each tier and compares its standard token rates with that provider’s fast tier.
Use fast for quick passes, then choose balanced or frontier when your task needs a deeper read; actual usage depends on the tokens and pricing for the pass.
Keep production page numbers stable as the script changes, preserve inserted A-pages, and download a packet that displays the revised pages.
Lock the White production draft, then issue colored revisions from History. Inserted material uses A-pages while the office's existing page numbers stay in place.
Full production PDFs retain issued numbering and list distributed revisions on the title page. A pass with changes prints the color and date on every script page, with asterisks beside revised lines.
Choose the current revision's distribution packet in Import / Export or the command palette. It displays the affected pages, but the PDF file retains the full manuscript; use it for recipients who may read the whole script.
Review the PDF against the last issued copy when Plot warns that an older page lock was reconstructed or the page measurements changed.
Read product pages, comparisons, audience guides, and more screenplay glossary terms in French, German, Spanish, Japanese, or Korean.
Choose a language from the site's language menu to open the translated version of a page.
Explore Plot, Canvas, AI, Features, comparisons, and guides for different writing jobs in your language.
Look up screenplay elements, script-delivery terms, character and theme concepts, outlining and pitching terms, and production and Guild terminology in the glossary.
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Screenplay page measurements, on screen and in PDF
Plot uses 3.5-inch dialogue and 2.5-inch parenthetical columns for page counts and PDF output. The formatting reference now shows the page's measurements and a scale drawing.
Dialogue and parentheticals wrap to the same column widths in PDF output, page estimates, script breakdowns, and the screenplay converter preview.
An existing script can have a different page count when you export it again. Check the new PDF before sending it to readers or issuing production pages.
Open the screenplay formatting reference for page dimensions, margins, element widths, and the scale drawing.
Answer Agent Mode with a number, a scale, or your go-ahead
When Agent Mode pauses to ask you something, it can now ask for an exact number or a point on a scale, and some questions let you hand the choice back with Use your judgment.
A number question shows its range and step, and a scale question labels both ends. If the agent suggests a value, it is used only when you choose it.
Where it is offered, Use your judgment lets the agent settle a preference for you. You can still leave any question open.
Answers you have started stay in place when you switch sidebar tabs and come back, and the question controls appear in your Inkwell language.
Built-in AI skills now use the language you chose for Inkwell.
The Skills tab, commands, Agent Mode runs and run history show each built-in skill's name, description and category in the language you chose in Settings.
Search finds a skill by its translated name or its English one.
When you type a character cue, Plot now suggests the characters already in the scene first, and you can pick a suggestion with the keyboard, the mouse, or a tap.
Suggestions put characters in the current scene first, then whoever spoke last, then the characters who speak most. Every matching name is still in the list.
Press ↑ and ↓ to choose, Enter or → to accept, or tap a suggestion on a touch screen. Your choice stays highlighted as you keep typing, and the list stays on screen beside the cursor.
A parenthetical such as (whispering) now shows one pair of brackets while you type, and saves and exports the same way.
Every chart in the Screenplay Anatomy Atlas can now be downloaded as an SVG figure for slides, handouts or your own notes.
Choose Download figure on any chart, or View full-size figure to open it in a new tab.
Each figure carries its caption, the number of screenplays measured, the source credit and its license, so it still makes sense away from the page.
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Five focused genre revision passes
Five new Plot skills read your draft for clue logic, suspense, dread, relationship turns, or invented-world rules, and propose focused changes you can accept or reject.
Choose Mystery Fair Play, Suspense Pass, Horror Pass, Romance Arc, or World Rules from the Skills tab.
Each pass marks its changes on the page: a sharper line, or a short planted beat added near the moment it serves. Accept or reject them one at a time.
The report beside them explains each change, names the strengths to keep, and lists what a small edit could not fix. A pass never deletes or moves your text, and it leaves the big decisions, such as who did it or how it ends, to you.
The Inkwell homepage and pricing page are available in German, Spanish, French, Japanese and Korean.
Choose a language from the menu at the bottom of the page, or go straight to /de, /es, /fr, /ja or /ko. Plans, features and common questions read in that language, and prices are formatted for it.
Sign-up links from a translated page open the app in the same language. A link to a page that isn't translated yet still opens the English page.
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Use Inkwell in Japanese or Korean
Choose Japanese or Korean for the web app and account emails in Settings. Your selection saves automatically and switches the current page.
Open Settings → Profile under Account, then choose 日本語 or 한국어 under Language.
Menus, editor controls, settings, and account emails use your selected language. Your writing keeps its own language.
Print the complete screenplay formatting reference or save it as a PDF to keep at your writing desk.
Open the printable field guide from the formatting reference, then choose Print or save PDF and your paper size.
Start with the beginner path or go straight to a situation guide. Formatting questions are searchable, with links to their answers.
Each formatting article also has a Markdown copy.
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Document settings for scene numbers and continueds
Number a production draft's scenes and choose how Plot marks a character who speaks again after action, from one Document settings dialog.
Apply numbering keeps existing scene references and gives inserted scenes lettered numbers such as 24A. You can also renumber from a starting number or clear the numbers, and Undo reverses each change in one step.
Plot now adds (CONT'D) when the same character speaks again after action, in the editor and in PDF, Fountain and Final Draft exports. Turn it off in Document settings if your draft leaves them out.
A finished report in the Skills tab now has Make these changes, which hands its findings to Agent Mode so the fixes come to your page as changes to accept or reject.
Choose Make these changes on a finished report. The run works like any Agent Mode run: it can ask you a question in Chat, and its changes come to your page for review. Show the run takes you to it.
If the agent is already working on a run, this one waits and starts when that run finishes. You can cancel it while it waits.
When the run finishes, its card shows how many of the report's findings it acted on and lists the ones still open.
Edits a pass already proposed stay in the Skills tab's review, and the run leaves those lines to it. A report with nothing to change, such as one that found only strengths, says so where the button would be.
A Plot draft can hold prose, outline beats, and scenes side by side, and the journey menu shows where the draft stands on its way to a script.
Add prose, outline, and script sections to the same draft. Prose becomes screenplay elements only when you choose Screenplay and review the conversion.
The journey menu in the editor toolbar shows the draft's stage, from Notes to Shooting Script, and the writing modes the project allows.
A Treatment project can develop into a Screenplay, Teleplay, Pilot, or Stage Play in the same project, keeping its draft lines, takes, and history, and can return to Treatment.
Agent Mode and help answers start from the best match
Agent Mode now gets a suggestion for the skill that fits your request before each step, and the Dramaturg ranks the help articles it finds by how well they answer your question.
Before each step of a run, Agent Mode checks your request against every skill you have access to and is pointed at the one that fits, so it can go straight to that pass.
The suggestion is only a pointer. Agent Mode can still use any skill you have, or none, and when no skill is a clear fit it carries on exactly as before.
When you ask the Dramaturg how something in Inkwell works, it now puts the article that best answers your question first, so its answer and its links start there.
The dialogue, pacing and length guides now include exercises to try on your own draft and figures from produced screenplays, and a new exercise shows what moving a scene does to the story.
Scene-order exercise: reorder seven scene cards, see which setups the new order leaves missing, and download a repair checklist to take into your own revision.
Dialogue guide: pick a speech length and see what share of turns and words run longer, then compare how counting words, paragraphs or lines changes a dialogue percentage.
Pacing guide: rearrange scene lengths to compare two orders, and note what changes at each cut in location, time, viewpoint and immediate goal. What you type stays on the page.
All three guides now show how produced screenplays compare, overall and by genre, so you can see where your draft sits.
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A second corpus on the dialogue research page
The dialogue research page now adds the Cornell Movie-Dialogs Corpus: 617 films whose median line of dialogue is seven words, the same as the screenplay corpus the page already measured.
See how two-person exchanges unfold: how many turns a typical exchange runs, how often speakers strictly alternate, and how much of an exchange its longest turn carries.
Compare dialogue share by where a character sits in the credits and by the credited gender of speakers.
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A setup guide on your projects page
Once you have a project, your projects page lists your first steps in Inkwell during your first month: create a project, write your first words, make a save point, and, once you have a Plot project, try AI assistance. Each step takes you to the control that does it.
Steps tick themselves off as you do them, whether you start from the guide or not.
The writing, save point, and AI steps open your most recent project with the right control ready: the page for writing, the save dialog for a save point, or the AI composer in a Plot project. Nothing runs until you choose to.
Collapse the guide to show just your next step. It goes away once every step is done, or a month after you sign up.
Two new starters sit beside Blank project and Learn Inkwell when you create a Plot project, so you can begin from a working draft instead of an empty page.
Short Film is a complete short scene sequence with notes on conflict, choices and the final image.
Stage Play is a playable one-act with a cast, a practical set, blocking, and notes for a read-through.
A starter is a regular project: rename it, rewrite it, or delete it. On the free plan it counts toward your project limit.
On shorter screens the new-project window now scrolls, so the Create project button stays within reach.
AI changes now arrive with a clearer review bar, plain-language actions, and a composer that makes the difference between Ask, Plan, Auto, and Agent visible before you send.
The review bar keeps the current change, its place in the set, and the accept-or-reject actions together while you read the page.
The Chat composer names Ask, Plan, Auto, and Agent and explains what each mode does, so the choice is clear before you send.
Scope controls make it clearer whether your message carries a selection, scene, act, or the full script.
Search across help, guides, comparisons, glossary terms, essays, and free resources from one place on the Inkwell site.
Results are grouped by the kind of answer they contain, so a how-to article stays distinct from a comparison or glossary definition.
Search accepts ordinary questions as well as feature and screenwriting terms.
Open a result at the exact guide, article, definition, comparison, or resource that answers it.
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Settings at a glance
Settings now puts account, plan, credit, and help information into scannable sections, with clearer next steps and password changes available in place.
See your plan, usage, and credit balance grouped into one clear section.
Open a guide or contact support from a help section organized around the job you are trying to finish.
Change your password directly in account settings.
Agent Mode spends less of your allotment on thinking
A run that is only taking notes or looking something up no longer spends the same allowance as one that is rewriting the script. More of the allotment stays available for the changes you asked for.
Notes and look-ups during a run no longer use up the rewrite allowance the way an edit does.
The run still has a fixed number of actions and decisions, shown on the card.
When the agent is reading or thinking, more of that allowance stays available for the work on the page.
Ask the Dramaturg what a character says, which scenes are at a location, or who speaks in a scene, and it can look the answer up from the screenplay. Agent Mode can use the same look-ups while it works a goal.
Ask what a character says across the draft — it can look up those lines and the scenes they belong to.
Ask which scenes are at a location — it can look up the sluglines that belong there.
Ask who speaks in a scene — it can look up the speaking cast of that scene.
Agent Mode can use the same look-ups while it works a scene or an act.
Those answers come from the draft, so you do not have to paste the scene in.
The converter and draft comparison tool now include sample files so dual dialogue, scene moves, and production notes are visible before you open your own draft.
Load a sample Final Draft file in the converter to inspect dual dialogue in two columns, numbered scenes, and a per-file fidelity report.
The draft comparison tool includes a before-and-after rewrite example with a moved scene, an added scene, and changed dialogue.
Parsing and comparison stay in the browser. The reports list observable changes; they do not grade whether the rewrite improved the story.
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TV bible, coverage, and rewrite templates
Download a TV series bible, a script coverage worksheet, and a screenplay rewrite plan from the free template library — grouped by the job they serve.
Three new Markdown downloads: a TV series bible that separates pitch from continuity, evidence-led script coverage, and a rewrite plan that ranks notes by blast radius.
The template hub is grouped by writer job — screenplay starters, development, feedback, and general writing — instead of by Inkwell product.
Coverage still lives with the coverage skill. The new worksheet is there when you want a printed form, and Plot stays the place for a living bible.
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Rate an Auto, Plan, or Agent run
When an Auto, Plan, or Agent run finishes, its card now has the same thumbs Ask replies already had. Mark the run useful or not; a thumbs-down can name what went wrong.
The finished run card in the Chat tab now has thumbs, the same control Ask replies already use.
A thumbs-up marks the run useful. A thumbs-down can pick a reason, or open Tell us more.
Ask replies keep their own thumbs on the message. Rate a run and a reply separately.
A dictionary and thesaurus opens beside the word under your cursor — meaning, synonyms, opposites, related words, and rhymes — and a click puts the one you want on the page.
Press Cmd+' or right-click Look up. The panel stays beside the draft, not on top of it.
Tabs cover Meaning, Synonyms, Like this, Opposites, Related, and Rhymes.
Choose a synonym and it replaces the word, keeping capitalization and formatting.
Look-ups are on by default. Turn them off under Settings, Dictionary and thesaurus.
A help center that answers the question you came with: tasks, concepts, and reference pages that stay in step with the product, plus a link from each changelog entry to the article that teaches what shipped.
Search from the hub, or browse by topic: writing, sharing, AI, version control, and account.
Task articles walk a job step by step, with photographs of the real product.
Shortcuts, skills, plans, and settings have their own pages, and they match what you see in the app.
In the app, press ? or choose Search help to open the same articles. A changelog entry that teaches a feature links Learn how it works.
On Pro, Plot builds a scene breakdown from the headings, cues, and action already in the draft — sets, time of day, eighths, and cast — and exports it as CSV or PDF.
Open View script reports from the command palette. The Script Breakdown lists every scene with set, INT or EXT, day or night, length, page, and cast.
Extract props and vehicles from the action lines, keep the real ones, and dismiss the rest.
Export the breakdown as CSV for a scheduling tool, or as PDF for the office.
The same cast counts feed the character list and the day-out-of-days view.
Grouping those scenes into shooting days is planned.
Send a read-only link to a specific version. Choose whether readers can comment or download a PDF, set a password, an expiry, or a view limit, and revoke the link when the draft moves on.
Create a link from Share in the toolbar. It follows the current draft line, or pin it to a save point or a milestone.
Let readers comment on the page, download a PDF, or both. Pages can carry a watermark with the reader's name or email.
Add a password, an expiry date, or a view limit. Revoke a link and it stops working immediately.
See who opened it, how far they read, and for how long. Their comments arrive in Feedback.
Ask for what you need on the same board where you can see what we are building next. Every request gets its own page to vote on and discuss, and you hear from us there when it moves.
Post a feature request or a bug report and it lands on the roadmap next to the work already underway.
Upvote the requests you want, and follow one to hear when its status changes.
Say what you were doing, what you expected, and what happened instead — in the discussion under any request.
Every request has its own link. Send it to a collaborator, or pick the thread back up later.
Our replies sit at the top of the thread, above the discussion.
Filter by theme to read what other writers are asking for in one area.
Read the board without an account. Posting, voting and replying take one.
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Say what you want and Auto works out how to answer
The companion opens in Auto now: ask a question and you get an answer, ask for a change and it writes one and brings it back for you to review. You stop picking a mode before you type, your screenplay reads as a screenplay in the thread, and the review opens itself when a run finishes.
Auto is where the composer starts. Ask for a rewrite or ask a question in the same box, and the model works out which one you meant.
Changes come back marked up on the draft you are already writing on, and the review opens itself when a run finishes — there is nothing to click first.
Type while a run is working. Your message waits above the composer and goes next; press Send again to interrupt the run and steer it with that message instead.
Screenplay in the thread reads as screenplay — sluglines, character cues and dialogue, not a wall of chat text.
Pick a mode when you want to be specific: Ask never touches the script, Plan proposes an approach before it changes anything, and Agent goes straight to work.
Live controls stay beside the composer while a run works, an unsent draft survives, and earlier results stay reachable in the same conversation.
Cmd+K anywhere, or a slash in the editor, now opens the same menu over the same list — navigation, settings, exports, editor commands and every AI skill — led by the commands you ran last.
Cmd+K from anywhere and slash in the editor open the same menu, so there is one place to look and one list to learn.
What you ran recently sits at the top, so the commands you use most stop being the ones you hunt for.
Type what you want to do and the closest matches rise — you do not have to remember what we called it.
Skills say what comes back before you run them: proposed edits, a report, or both.
A command that is not available right now tells you why, instead of leaving you guessing.
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Agent Mode decides its own next step
Give Agent Mode a direction and it works the draft the way you would: read a scene, make the change, read the result, decide what to do next. When it finishes, most of what it did comes back as changes you review one at a time.
Describe the outcome you want and let the agent choose the passes, instead of picking the skills yourself up front.
It reads the draft as it goes, so a change it makes early informs the one it makes next.
Name a scene or an act in your direction and it aims its passes there.
The run works on its own draft line and your script is untouched while it does. Its changes then come back to you where you are writing, marked up in place to accept or reject one at a time — a moved scene or a formatting-only tweak you take or leave with the run instead.
Pause a run, read what it has done so far, and pick it up or stop it.
Guides on what agents and managers each actually do, how to find who is repping now, how to write a query, and what to bring to the meeting — plus a private planner that keeps your target list and drafts in your browser.
Read the difference between an agent and a manager before you spend a month querying the wrong one.
Find current representation through the guild directories the guilds themselves keep up to date.
Draft a query and a meeting brief in the planner, and keep a red flag beside the name it belongs to.
The planner saves only when you press Save, and it saves in your browser — no names, loglines or queries reach us.
Every source card shows the day our editors last opened it.
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Character names that fit the decade
A free name desk for period work. Give it a story year and an age, or a birth decade, and it rolls given names people were actually being called when your character was born.
Place a name by story year plus age, by birth decade, or by period, and the desk works out which records to pull from.
Filter by gender, popularity, first letter and an avoid list. Shuffle, lock the ones you want to keep, and reroll the rest.
Check a name you have already drafted and it tells you whether that name belongs in that decade.
Names come from the US national birth records from 1880 on, and from curated period lists before that — the desk says which, and where the records run out.
It runs in your browser. Your cast list is not sent anywhere.
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What screenwriting actually pays
A free desk on screenwriter pay: the 2026 WGA minimums by contract family and writing step, what residuals add on top, and how the floors sit against published earnings for writers generally.
Look up a Guild floor by contract family, writing step and year, for feature and television work.
See what residuals add, with High-Budget SVOD shown as the three-year total it is rather than a floor.
Read the floors next to published earnings for writers generally, so a minimum is not mistaken for a salary.
The explorer is a tool in its own right, and the family, step and year you pick live in the link — send someone the exact readout.
Every figure names where it came from, and what you type stays in your browser.
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Faster everyday writing in Plot
Typing, ghost text, hidden sidebars, and returning to the project library now do less repeated work on the paths writers use every day.
Typing stays smoother in longer drafts, with less delay between a keystroke and the updated page.
Ghost text can appear sooner, and hidden sidebars stop competing with the draft until you open them again.
Returning to the project library gets the useful project list in front of you sooner, with totals filled in without holding up the screen.
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Free screenplay format converter
Open a Final Draft .fdx or a Fountain draft in your browser, read it as real screenplay pages, and take it out as a PDF, Fountain, or plain text. Parsing and the PDF both happen on your machine.
Pages are laid out in industry format — Courier 12pt, the 1.5-inch binding margin, scene numbers in the margins — using the same page-break calculator as Inkwell's own PDF export, so the page count is the page count.
The PDF comes from your browser's print dialog rather than a server, which is why no draft is uploaded and nothing is retained.
Every conversion reports what it costs in that specific file: which elements come across unchanged, which arrive as action, and what production state stays in Final Draft.
Fountain scene-number syntax no longer prints inside the slugline in exported PDFs — it is drawn in the margin, where a shooting script puts it.
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Screenplay pacing desk and pacing map
Page count says how long a draft is; pacing is how that length is distributed. A new desk publishes what published practice looks like across the screenplay clock, and a browser-private map places one draft on the same distributions.
Measured action share, scene density, and speaking-cast arrival across ten equal stretches of a screenplay, with the middle half of published practice shaded behind each curve and every value listed in a table beneath it.
Pacing map parses Fountain or Final Draft in the browser and draws the draft's own curves over the corpus band, plus a scene-length ribbon and percentile placement for eight whole-draft measures.
Reports position, never a grade: it does not detect an inciting incident, an act break, or a midpoint, and it states when a draft is outside the population it is being compared to.
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Reviewable AI writing controls in Plot
Bring the right part of a screenplay into an AI conversation, compare inline alternatives or skill-generated takes, and review proposed writing changes in the editor before they join the draft.
Mention a scene or act in Ask so the conversation starts with the context you chose.
Compare inline-edit alternatives in place, or generate skill passes as separate takes without overwriting the working draft.
Open proposed changes as reviewable editor hunks, keep or reject each one, and incorporate the result only when it is ready.
See how screenplay length varies by format and genre, then place a laid-out PDF page count against those ranges with optional Final Draft story context in the browser.
The research desk separates format conventions from measured screenplay-length distributions instead of presenting one universal target.
Enter the page count from a laid-out PDF; an optional Final Draft file stays local and adds story-word and scene-count context, not pagination.
Results describe the draft and its comparison range; they do not grade the story or upload its text.
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Free script breakdown tool
Break down a Fountain or Final Draft screenplay privately in the browser — scene sheets, eighths, cast, locations, and exportable CSVs — then read how the inventory differs from coverage.
Private first-pass ledger from Fountain or FDX: scenes, eighths, cast, locations, and day/night.
Interactive stripboard plus CSV exports; the screenplay never leaves the browser.
Learn guide and glossary now point at the same production inventory Plot uses for reports.
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Private screenplay review and submission tools
Inspect a Final Draft file, compare two screenplay drafts, check a submission PDF, and explore screenplay structure without uploading the script.
FDX Inspector shows the document structure and production data inside a Final Draft file before a move or cleanup.
Screenplay Diff compares two drafts by scene and text while keeping both files in the browser.
The Submission Center pairs current opportunity profiles with a browser-local PDF preflight, and the Screenplay Anatomy Atlas publishes aggregate structural patterns from 2,077 screenplays.
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Desktop + Apple apps in progress
Write in the browser today — and we’re building a desktop app for offline writing plus iPhone and iPad apps for the room on the go. Same projects on every surface.
Start free in the browser: no install, share a link with the room.
Desktop app in active development for plane-mode drafting when wifi dies.
iPhone and iPad apps next — read and review first, then edit on the same projects.
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Audience guides and Resources hub
Guides for screenwriters, writers’ rooms, showrunners, novelists, researchers, teams, and classrooms — plus a Resources hub that pulls the library together.
Audience guides for how different writers use Plot and Canvas.
Resources hub with guides, tools, templates, and switching paths in one place.
A craft glossary of screenwriting and Inkwell terms in plain language.
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Copy and paste that keeps the formatting
Move scenes between drafts and the elements arrive as elements. A character cue stays a character cue, dialogue stays dialogue, and the whole paste undoes in one step.
Copy a run of scenes from one draft and paste it into another with the element types intact.
Paste plain text and Inkwell recovers the structure when the text has it — scene headings, cues, and dialogue arrive as those elements. Prose without those markers comes in as action.
Rich text from a word processor arrives as action, ready to promote with Tab.
Cmd+Shift+V still pastes as plain text when that is what you want, and any paste undoes as a single step.
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Account email you can read and control
Confirm a new account from an Inkwell email, see why each message reached you, and turn off the optional ones.
Confirm your address from the verification email Inkwell sends when you sign up.
Inkwell also emails you when your password changes and when someone invites you to a team.
Every email says why you received it. Emails you can turn off include a link to do it.
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Launch AI skills showcase
Meet the launch skills — dialogue pass, Continuity check, coverage, and more — each showing what it reads and what it changes in the draft.
Six core skills that edit inside the draft as reviewable changes.
Structure-aware passes, not a chat sidebar you paste from.
Bring-your-own-key guide walks through Settings → AI.
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Revision colors on Plot (Pro)
WGA-style revision colors ship with Plot on the Pro tier — production markup that matches how rooms mark up a draft.
Revision color sequence is available for paid Pro drafts.
Changed lines receive the active revision color and production revision mark.
Compare and migration pages show what is live for writers switching in.
Deciding whether to switch is its own job. The site now answers it: side-by-side comparisons against the tool you use, a screenwriting glossary, an FAQ, and a blog.
Compare Inkwell against Final Draft and WriterDuet, capability by capability.
Look up a screenwriting term and get its craft meaning.
Read the FAQ before you sign up, and the blog for how the team thinks about writing software.
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Canvas product page and early access
Canvas — the block document editor for novels, research, and long-form — has a public product page. Early access for Pro and Team; Plot stays the generally available screenplay product.
Block editor for novels, research, and team docs.
Early access from Pro and Team — join from the Canvas page.
Guides for blocks and markdown round-trip as Canvas ships.
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Save points, draft lines, and semantic changes
Version control is live on Plot: named immutable save points, parallel draft lines, and scene-level change tracking.
Save points replace _FINAL_v4 folder archaeology with named moments.
Draft lines let rooms explore alternate takes without duplicating files.
Semantic changes show what moved at scene and dialogue level.
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Password recovery
Forgot your password? Reset it yourself from the sign-in page.
Request a reset link from the sign-in page and set a new password yourself.
The reset link arrives by email, and team invites arrive the same way.
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Core Plot editor and Fountain parser
Real-time Fountain structure, industry element types, tab cycling, auto-formatting, and ghost-text suggestions form the Plot editing baseline.
Screenplays stored as structured data as you type.
FDX and Fountain import/export for switching workflows.
Interactive demo available without an account.
Prueba la versión actual
Plot ya está listo para escribir. Las novedades del acceso anticipado a Canvas llegan aquí en cuanto salen.
