THE LONG WAY ROUND
Inkwell
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See a worked FDX conversionOpen the example. Compare the files.
The Long Way Round includes numbered scenes, overlapping dialogue, a page break, and a blue revision. Compare its Fountain, plain text, and formatted pages, or download the files to try the converter.
Original example by Inkwell.
Compare the formatted pages with the Fountain below. The overlapping exchange sits in two columns, and scenes 12A and 13 keep their source numbers.
THE LONG WAY ROUND
Inkwell
INT. NIGHT FERRY - LOWER DECK - NIGHT
Fluorescent tubes buzz over rows of empty seats. Rain runs sideways across the portholes.
DELPHINE
Tell me the case stayed on the boat.
STEWARD
(overlapping)
Tell me you never opened it.
EXT. NIGHT FERRY - STERN - PRE-DAWN
The empty case rests against the rail. Delphine watches the wake close behind the ferry.
CUT TO:
Scene numbers stay beside the headings; the caret marks overlapping dialogue. Three equals signs preserve an explicit page break.
Title: The Long Way Round
Author: Inkwell
INT. NIGHT FERRY - LOWER DECK - NIGHT #12A#
Fluorescent tubes buzz over rows of empty seats. Rain runs sideways across the portholes.
DELPHINE
Tell me the case stayed on the boat.
STEWARD ^
(overlapping)
Tell me you never opened it.
===
EXT. NIGHT FERRY - STERN - PRE-DAWN #13#
[[Production note retained in the source FDX.]]
The empty case rests against the rail. Delphine watches the wake close behind the ferry.
CUT TO:
THE LONG WAY ROUND
Inkwell
12A INT. NIGHT FERRY - LOWER DECK - NIGHT
Fluorescent tubes buzz over rows of empty seats. Rain runs
sideways across the portholes.
DELPHINE
Tell me the case stayed on the
boat.
STEWARD
(overlapping)
Tell me you never opened it.
13 EXT. NIGHT FERRY - STERN - PRE-DAWN
The empty case rests against the rail. Delphine watches the
wake close behind the ferry.
CUT TO:
Open the complete source to inspect its scene numbers, dialogue markers, revision set, and production note.
<?xml version="1.0" encoding="UTF-8"?>
<FinalDraft DocumentType="Script" Version="5" Template="No">
<Content>
<Paragraph Type="Scene Heading">
<SceneProperties Number="12A" />
<Text>INT. NIGHT FERRY - LOWER DECK - NIGHT</Text>
</Paragraph>
<Paragraph Type="Action">
<Text>Fluorescent tubes buzz over rows of empty seats. Rain runs sideways across the portholes.</Text>
</Paragraph>
<Paragraph><DualDialogue>
<Paragraph Type="Character"><Text>DELPHINE</Text></Paragraph>
<Paragraph Type="Dialogue"><Text>Tell me the case stayed on the boat.</Text></Paragraph>
<Paragraph Type="Character"><Text>STEWARD</Text></Paragraph>
<Paragraph Type="Parenthetical"><Text>(overlapping)</Text></Paragraph>
<Paragraph Type="Dialogue"><Text>Tell me you never opened it.</Text></Paragraph>
</DualDialogue></Paragraph>
<Paragraph Type="Scene Heading" StartsNewPage="Yes">
<SceneProperties Number="13" Locked="Yes" />
<Text>EXT. NIGHT FERRY - STERN - PRE-DAWN</Text>
</Paragraph>
<Paragraph Type="Action" Revised="Blue" RevisionID="1">
<ScriptNote ID="proof-note"><Paragraph><Text>Production note retained in the source FDX.</Text></Paragraph></ScriptNote>
<Text>The empty case rests against the rail. Delphine watches the wake close behind the ferry.</Text>
</Paragraph>
<Paragraph Type="Transition"><Text>CUT TO:</Text></Paragraph>
</Content>
<LockedPages />
<Revisions ActiveSet="1" RevisionMode="Yes">
<Revision ID="1" Name="Blue" Mark="*" Color="#00000000FFFF" />
</Revisions>
<TitlePage>
<Content>
<Paragraph Type="Title"><Text>The Long Way Round</Text></Paragraph>
<Paragraph Type="Author"><Text>Inkwell</Text></Paragraph>
</Content>
</TitlePage>
</FinalDraft>
Scene numbers identify scenes. Locked pages and revision sets carry additional production instructions: keep the original FDX when those references are in use.
Notes travel into the Fountain output as [[bracketed notes]]. They are not drawn on the PDF, in this preview, or in the plain text — a printed screenplay carries no annotations.
Kept in the Fountain download and honored on the printed page. The plain text has no pages to break, so they are not marked there.
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Load a sample Final Draft file to inspect dual dialogue in two columns, numbered scenes, page layout, and a per-file fidelity report before choosing your own draft.
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Yes — Courier 12pt on US Letter, a 1.5-inch left margin for the binding, 1-inch elsewhere, dialogue and character cues on the industry columns, dual dialogue in two columns, scene numbers in the margins, and page numbers top right. Page breaks come from Inkwell's own formatting-aware pagination calculator, not a words-per-page estimate.
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