Words your characters would say
1930s slang from the hardboiled detectives
Twenty 1930s slang words and oaths quoted from Dashiell Hammett’s The Maltese Falcon, each explained, with a private eye’s office scene that opens in Plot.
the bulls
The police; detectives.
Hardboiled detectives
The words
Dashiell Hammett's The Maltese Falcon put the speech of private eyes, cops and gunmen on the page.
- the bulls“It’s those damned bulls again. They’re getting to be nuisances.” (Dashiell Hammett, The Maltese Falcon, 1930)
- The police; detectives.
- bumped offSomething Thursby was supposed to have on him when he was bumped off. (Dashiell Hammett, The Maltese Falcon, 1930)
- Murdered.
- fall-guy“We’ve got to have a fall-guy.” (Dashiell Hammett, The Maltese Falcon, 1930)
- Someone made to take the blame for a crime.
- sap“Don’t be a sap, Dundy.” (Dashiell Hammett, The Maltese Falcon, 1930)
- A fool; someone easily taken in.
- dope“Can you give me some dope on an ex-guest?” (Dashiell Hammett, The Maltese Falcon, 1930)
- Information; the facts about someone.
- to pinch“You’re not ready to pinch me yet, are you, Dundy?” (Dashiell Hammett, The Maltese Falcon, 1930)
- To arrest.
- heater“Get up on your feet and go for your heater!” (Dashiell Hammett, The Maltese Falcon, 1930)
- A gun.
- gunsel“Keep that gunsel away from me while you’re making up your mind.” (Dashiell Hammett, The Maltese Falcon, 1930)
- Taken by readers to mean a young gunman, which is how it has been used since. In the underworld it had meant a young man kept by an older one.
- punk“Let’s give them the punk.” (Dashiell Hammett, The Maltese Falcon, 1930)
- A young hoodlum; a worthless kid.
- dick“You’d think you wasn’t a dick yourself the way you bellyache over things.” (Dashiell Hammett, The Maltese Falcon, 1930)
- A detective.
- copper“It’s no crime to kid a copper, is it?” (Dashiell Hammett, The Maltese Falcon, 1930)
- A police officer.
- on the level“You’re not so damned honest, and you haven’t been so much on the level with her, that she should trust you completely.” (Dashiell Hammett, The Maltese Falcon, 1930)
- Honest; straight with someone.
- chumpAnd once a chump, always a chump. (Dashiell Hammett, The Maltese Falcon, 1930)
- A fool; someone easily taken in.
- dough“That’s a hell of a lot of dough.” (Dashiell Hammett, The Maltese Falcon, 1930)
- Money.
- hooey“Well, it was hooey.” (Dashiell Hammett, The Maltese Falcon, 1930)
- Nonsense; a lie.
- racket“What’s his racket?” (Dashiell Hammett, The Maltese Falcon, 1930)
- A line of work, usually a shady one.
- to tail“Why were you tailing him?” (Dashiell Hammett, The Maltese Falcon, 1930)
- To follow someone without being noticed.
- come clean“Come clean. You know I’ll keep my clam shut …” (Dashiell Hammett, The Maltese Falcon, 1930)
- To tell the whole truth.
- to squawk“I won’t squawk—if you’ve got a search-warrant.” (Dashiell Hammett, The Maltese Falcon, 1930)
- To complain loudly; to make a fuss.
- the works“You didn’t try to make a deal with him before you gave him the works?” (Dashiell Hammett, The Maltese Falcon, 1930)
- The full treatment. From a crook, a killing.
Swear words and oaths
How people cursed, and the softer words they said instead, from the same dated sources.
- by guess and by God“It’s just what I told you: you’re fumbling along by guess and by God.” (Dashiell Hammett, The Maltese Falcon, 1930)
- Blindly, on luck and hope, with no plan at all.
- the hell you don’tTom said softly: “The hell you don’t.” (Dashiell Hammett, The Maltese Falcon, 1930)
- Flat disbelief: you certainly do.
- I’m damned if I will“No, I’m damned if I will.” (Dashiell Hammett, The Maltese Falcon, 1930)
- A flat, angry refusal.
- Jesus“Jesus, these women!” (Dashiell Hammett, The Maltese Falcon, 1930)
- An exasperated oath, said mildly.
INT. KANE INVESTIGATIONS, SAN FRANCISCO - NIGHT (1931)
Rain on the window. LOU KANE (40s) sits with his hat still on. VERA NASH (30s) shuts the door behind her.
VERA
The bulls were here?
LOU
Twice. Somebody got bumped off on Bush Street, and they need a fall-guy.
VERA
And you'd be the sap who takes it.
LOU
Not if I get some dope first.
VERA
The kid in the lobby has a heater under his coat.
LOU
The gunsel? Let him sit. If he moves, the bulls can pinch him.
Recorded in
1930s technology and props
What had just arrived, what was still recent, and what a scene set in these years can't have yet. Each entry names the source that records its date, with a link to it. Dates are for the United States unless an entry says otherwise.
Before 1930
Already there, still recent
When it was new
When it was new
- 1920
Screens and sound
Radio broadcasts
Scheduled radio broadcasting begins: KDKA in Pittsburgh airs the 1920 election returns.
IEEE Engineering and Technology History Wiki, Milestones: Westinghouse Radio Station KDKA, 1920
Early in the decade a radio set is a novelty, and a family gathered around one is a scene in itself. By the 1930s it is furniture.
- 1927
Screens and sound
Talking pictures
The Jazz Singer opens in New York with about two minutes of synchronized dialogue. The rest of it is silent, with title cards.
HistoryofInformation.com, The Jazz Singer, the First Full-Length Film with Synchronized Dialogue
A character at the pictures before late 1927 almost always watches a silent film with live music. After it, talking pictures are the novelty people line up for.
- 1928
Police
Police radio
Detroit police dispatch patrol cars by radio. The cars can hear the station but can't answer it.
IEEE Engineering and Technology History Wiki, Milestones: One-Way Police Radio Communication, 1928
A 1920s officer learns of a crime from a call box, a desk sergeant or a one-way radio. To talk back, he pulls over and finds a telephone.
1930–39
Arriving in these years
On the page
On the page
- 1939
Screens and sound
Television
NBC begins regular television broadcasts in New York as the World's Fair opens.
Television in a 1930s scene is a demonstration at a fair or a rich household's toy, not something a family watches at night.
After 1939
Not yet: keep these out of the scene
On the page
On the page
- 1945
Home and office
Ballpoint pen
The ballpoint pen goes on sale in New York, at $12.50.
Literary Hub, This Week in Literary History: The First Ballpoint Pen Is Sold in New York City
Before late 1945 an American character writes with a fountain pen or a pencil.
- 1950
Money
Charge card
Diners Club issues the first charge card accepted at many businesses rather than one store.
A 1940s character pays in cash, by check or on a store's own account. Handing over a card for dinner belongs to the 1950s and later.
- 1954
Screens and sound
Color TV
RCA's first color television set, the CT-100, goes on sale.
Color television in the 1950s is rare and expensive. A family watching at home is almost always watching black and white.
- 1954
Screens and sound
Transistor radio
The Regency TR-1, the first transistor radio, reaches stores at $49.95.
A pocket radio at the beach or under the covers is late 1950s or later. Before it, a radio is a tube set on a table or a portable the size of a lunch box.
- 1956
Getting around
Interstate highways
The Federal-Aid Highway Act starts the Interstate highway system.
U.S. National Archives, National Interstate and Defense Highways Act (1956)
Before the Interstates, most long drives run on two-lane highways through every town on the way, with a few four-lane toll turnpikes such as Pennsylvania's, open since 1940. The long, straight Interstate drive arrives over the decades that follow.
- 1958
Getting around
Jet airliner
Pan Am flies its first Boeing 707 passenger service, New York to Paris, with a fuel stop in Newfoundland.
An earlier transatlantic trip is a long propeller flight, often with a fuel stop, or days on an ocean liner. The jet age starts at the very end of the 1950s.
Check a whole script for anachronisms
Inkwell's Period Language skill reads your pages against the era you set. It flags words, objects and references that hadn't arrived yet and offers period alternatives as changes you can accept or skip.
Make it yours in Plot
Start with this example or bring your own draft. Develop the story, try another version, and keep the work you want.
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Field notes
Writing dialogue that sounds like its time
Date the word, not the feeling
Check every period word against a source from the time, not a list that sounds old. A dictionary entry or a published novel tells you the word was in use by that year. It does not tell you when it started, so a word recorded in 1859 can belong to a character in 1850, and probably not one in 1750.
Use less than you found
One period word every few lines is enough to place a scene. A speech packed with slang reads like a costume. Let ordinary words carry most of the dialogue and save the slang for the moments a character wants to sound like they belong.
Make the meaning clear from the scene
A reader or an audience never gets a glossary. Put the word where the action explains it: the stolen hat on the table before anyone calls it a rum nab, the sack of silver before anyone says swag. If a word needs a footnote, the scene is not doing its job yet.
Slang says who belongs
Grose and Matsell recorded cant: the private language of thieves, meant to keep outsiders out. A character who uses it is in the gang, and one who misses it is not. Use that. The 1920s words did the same for a young crowd, the 1930s ones for detectives and crooks, the 1940s ones for soldiers and the teenagers they left at home, and the 1950s and 1960s ones for teenagers keeping their parents out. The 2000s words came from rap and the internet, and spread as fast as both.
Where to find more
Dictionaries of slang and cant from the period, novels and plays written at the time, newspapers, and court records all show how people talked. Prefer sources written in the era over histories written later, and keep a note of where each word came from so you can check it again.
Hear it before you keep it
Read the scene aloud, or hold a table read. Period dialogue that looks right can sound stiff when spoken. Cut what an actor trips on, and keep the version you like as a save point before you try another.
Already have a draft?
Bring your Word document or screenplay into Plot and keep developing it with save points and alternate drafts.
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