Skip to content
/subtext-check

Subtext Check

Reads dialogue against what the scene is actually about. It flags lines that say the feeling out loud, spots flat exchanges where two characters simply agree, and proposes rewrites in which the words and the meaning diverge — while leaving alone the moments where directness is the craft.

Scope
One scene, an act, or the full script
Output
Changes in the draft + a report
Subtext Check · One scene, an act, or the full scriptInside Plot

Bring the work

  • 01The target scene, act, or script
  • 02The character's dialogue and actions, so a rewrite stays in voice

Run one focused pass

Subtext Check

Review the result

  • A rewrite on each on-the-nose line, as a change you review
  • A note on the exchanges where the subtext is already working

One screenplay. One specialist lens. A result you can review where you write.

When to reach for it

  1. 01Characters keep announcing what they feel
  2. 02An argument scene reads flat because both sides state their position
  3. 03You want the confrontation to land without anyone naming the stakes

Tune the pass

Parameters you can set when you run /subtext-check.

Character Focus
Limit the pass to one character's lines.

About Subtext Check

Practical answers before you run the pass.

Will it flag every direct line?

No. The pass carries an explicit list of moments where directness is the point — a confession, an ultimatum, a character who genuinely speaks plainly — and leaves those alone.

Does it also tell me what is working?

Yes. The report highlights exchanges where the subtext already lands, so a later pass does not flatten them.